Haven't been posting much, here or anywhere else recently, as my head and diary has been filled with stuff to do with my new appointment. But at the beginning of this month Sally and I got away for a long weekend to meet up in an old country house outside Ludlow with a large group of old friends from our Edinburgh University theatre days, in order to celebrate the 60th birthdays of some of our number. Due to the fabulous organisational and catering skills of a small core group we had an amazing time including a hilarious awards dinner on the Saturday night for which we were encouraged to "dress up". A number of the men baulked at it being a "black tie" affair, with one noting that black tie us strictly "work-wear" for him. Some of those at the weekend had reconnected with the wider group because of a 40th Anniversary of the opening of the Bedlam Theatre, just before the onset of covid, and in advance of that I unearthed a couple of my old Bedlam fringe...
I was slightly traumatised last week when I discovered that "Now That's What I Call Music 124" has been released in the UK. I remember buying the first one as a Christmas present (on vinyl) back in 1983... So to discover there have been 123 further editions since then makes me feel very old, and prompts all kinds of whistfulness about the past. I'm from Northern Ireland, and because of the peculiarities of my accent some of my friends who do not hail from this part of the world mock my pronunciation of the word "now", in the same way that I mock my Ayrshire wife's pronunciation of the word "poem." But not only can I not pronounce the word "now" normally (according to some people), I also have difficulty in appreciating it and living in it... Not only can I get stuck in periods of nostalgic mooning over the past, I can also descend into unhelpful rumination over various regrets. Or else I can spend so much time planning for...