Many years ago when I was only a first year ministerial student, the minister I was serving with assigned me the challenge of preaching on the phrase "he descended into hell" from the (old style) Apostles Creed, at our Good Friday service, as part of a series we were doing on the creed at the time. It took me down a whole rabbit hole looking at medieval theories of the "harrowing of hell" which has stuck with me down through the years because of their poetic power. And there is also a part of me that finds it hard to shake off the medieval imagery of hell that you find in the attached picture of "Christ's Descent into Hell" by a follower of Hieronymus Bosch (mid 16th cent.) from The Metropolitan Museum of Art, NY. However, when I look back at the text of that sermon (yes... I've surprisingly still got it though, for good reason I have never preached it again) I didn't major on that idea. That's because the original Greek text of the ...
As part of out circuit Holy week events this year on Wednesday evening we hosted "Play It By Ear", otherwise known as Chris Neilands and Ross Jonas who are funded by the Methodist Church in Ireland to use drama to explore faith issues. They performed their latest piece "The Chair, the Table and the Cross" which looked at the events of Holy Week from the perspective of a Jerusalem carpenter's workshop. It was an all age piece, so it didn't go too dark or deep, but thinking about it later took me back to a a couple of things. The first was the attached oil painting, "The Shadow of Death" by William Holman Hunt, this version being his earlier, darker one painted between 1879 and 1883, in the Manchester City Art Gallery. And the second is a scene I posted here before, way back in 2008 in the wake of watching an episode of "The Passion" produced by the BBC that year (I've still not seen the whole thing). My thoughts then took...