I was slightly traumatised last week when I discovered that "Now That's What I Call Music 124" has been released in the UK. I remember buying the first one as a Christmas present (on vinyl) back in 1983... So to discover there have been 123 further editions since then makes me feel very old, and prompts all kinds of whistfulness about the past. I'm from Northern Ireland, and because of the peculiarities of my accent some of my friends who do not hail from this part of the world mock my pronunciation of the word "now", in the same way that I mock my Ayrshire wife's pronunciation of the word "poem." But not only can I not pronounce the word "now" normally (according to some people), I also have difficulty in appreciating it and living in it... Not only can I get stuck in periods of nostalgic mooning over the past, I can also descend into unhelpful rumination over various regrets. Or else I can spend so much time planning for...
Not many of my pieces can be said to be 24 years in development, but I actually started this the year after the 9/11 attacks, when it was already clear that the solidarity caused by the horror of that dreadful day was dissolving and spawning potentially greater horror. I used a much earlier version in a service on an anniversary years ago, but in preceded this blog and have tinkered with it every year since. The particular milestone that 25 years throws up seemed an appropriate point to revise it again and post it, but I didn't post it on the actual day, first because I was officiating at a family funeral yesterday and couldn't face returning to the computer afterwards, and second because, like most observers of this tragedy I was not directly affected by the events of that day itself, and felt that yesterday should have been a day for the bereaved and survivors. But there is no doubt the whole world has been indirectly affected by that day. Many sensed that that wo...