I've been thinking a lot about next Friday's launch of my second collection of poems, and the reasons why I write poetry. I have repeatedly said that I am under no allusions as to my technical skill (any training I have recieved has been perfunctory and I've largey forgotten most of it) or profundity. Most of the poetry I write (with the exception of the "place poems" that I have written for events like the Wonderful Wander) and primarily personal, allowing me to get disordered thoughts out of an unfocused brain. I have never expected my poems or this blog to draw large numbers of "followers" ( the very idea makes me shudder), though I am pleased, and sometimes astounded when something I write seems to ring a bell with people... so the idea of having one printed collection of poetry never mind two is frankly mindblowing. What follows is the piece which acts as the "opener" in my 2nd colection, and expresses not only the form and fu...
Cheonggyecheon stream in Seoul, South Korea, daylighted from sewers in 2003. Image: Kaizer Rangwala, Flickr. As I said yesterday's poem was the last of the new pieces I wrote for this year's Wonderful Wander, but we didn't use it on the walk. Instead Mylie Brennan read this piece which I wrote a few years ago and which, consequently DOES feature in my new collection "Hedge Songs," which will be launched next Friday evening. As I said on the walk and when I originally posted this poem, daylighting is a contemporary urban environmental movement, encouraging urban planners to uncover culverted rivers and discover the difference that properly managed waterways and green spaces can make to the wellbeing of those living and working in cities. The UK has been relatively late to this global trend, but it might have a special resonance in my home city, which is actually named after a long-buried river. On our walk this year, after we left the banks of the Lagan we large...