Skip to main content

Far from Miserable Performance


Its been quiet here in the world of Virtual Methodist for a wee bit... Largely because the real world has been more than a little hectic... But did get time to go to see the Lyric Theatre Company's latest production in their squat at the Elmwood Hall.

I'm not a expert on Moliere by a long chalk but I enjoyed the bawdy production of The HypochondriacT (sic) last year, with the same team of translator/adaptor David Johnston, director Dan Gordon and lead Andy Gray, and so I thought I would go back for second helpings this year, with their take on the Miser. Sadly, according to David Johnston, it hasn't been getting great audiences, and he thinks that the fact it's a Moliere has been putting Belfast audiences off coming. But it shouldn't, because its a good night out, even for those, like me who don't know their Molieres from their Molly Malones.

As with last year's production Johnston has kept to the broad structure of the original play, but has transposed it from 17th century France to a mythical 17th century Ulster, complete with suitably contemporary digs at bankers, Ulster-Scots and nefarious land-deals. Some of the stage-craft had a rough-hewn and almost unfinished quality to it (especially a couple of the songs)... not sure whether that is accident or design... The constant breaking down of the fourth wall between audience and stage was certainly intended and added to to enjoyment (to the embarrasment of some audience members... although some of them may have been plants). Andy Gray as the miserly Harpagon had the audience eating out of the palm of his hand, but Michael Condron as Jack/Quimph/Carlyle wasn't far behind him on that score.

It's only on at the Elmwood Hall until next Saturday, but you can catch on tour at various venues until July 9th... so do yourself (and the Lyric) a favour and go see it...


Comments

Popular posts from this blog

LentArt: Washing the Disciples' Feet

Today's #LentArt post is "The washing of the disciples' feet" by Ghislaine Howard, another piece from the wonderful Methodist Modern Art Collection. It has clearly struck a chord with a number of people, and I am delighted that tonight's guest blog is by my friend and fellow 4 Corners Director, Father Martin Magill, who, he will be embarrassed to have me say, is for me the epitome of a servant leader. Indeed it was interesting to have a friend and artist respond to my earlier post saying that this time last year she remembers having her feet washed by Martin... How much has changed in a year: This painting (completed in 2004) was inspired by these words from the gospel of John in today's lectionary:  Jesus knew that the Father had delivered all things into His hands, and that He had come from God and was returning to God. So He got up from the supper, laid aside His outer garments, and wrapped a towel around His waist. After that, He poured water ...

Living under the Empire... (2) Where is Babylon?

We were driving back from school last week, talking about books that we had been reading and my younger son, Ciaran, asked me "Where is Babylon?" I have to confess that my history is better than my geography, and I said that it no longer exists as an inhabited city, but its ruins were to the north west of the current capital of Iraq, Baghdad. When I checked however, I discovered that it is actually about 50 miles south of Baghdad and the modern town is the administrative centre of the province of Babil... But just as the modern city is but a shadow of the historic capital of 2 ancient empires, first under Hammurabi in the 18th century BCE and then the "Neo-Babylonian" empire (under Nebuchadnezzar etc) in the 6th century BCE, so the earthly Babylonian empire/s was/were fleeting in comparison to the enduring metaphorical idea of Babylon. The original Empire under Hammurabi was probably the ultimate origin of some of the early Biblical stories, including the ...

A Woman of no Distinction

Don't often post other people's stuff here... But I found this so powerful that I thought I should. It's a performance poem based on John 4: 4-30, and I have attached the original YouTube video below. A word for women, and men, everywhere... "to be known is to be loved, and to be loved is to be known." I am a woman of no distinction of little importance. I am a women of no reputation save that which is bad. You whisper as I pass by and cast judgmental glances, Though you don’t really take the time to look at me, Or even get to know me. For to be known is to be loved, And to be loved is to be known. Otherwise what’s the point in doing either one of them in the first place? I WANT TO BE KNOWN. I want someone to look at my face And not just see two eyes, a nose, a mouth and two ears; But to see all that I am, and could be all my hopes, loves and fears. But that’s too much to hope for, to wish for, or pray for So I don’t, not anymore. Now I keep to myself And by that ...