Skip to main content

On Death...


Today is national poetry day, and I've been struck by how many people have cited Dylan Thomas' "Do Not Go Gentle" as one of their favourite poems. It is an amazing, emotionally charged poem, calling for defiance in the face of death. But it is one that speaks, ultimately of a sense of hopelessness.
I think that poetry, or that poetry put to music in the form of lyrics, enables us to address profound human, spiritual issues in a way that prose cannot. Perhaps it is the careful crafting of thought and emotion required for good poetry, I don't know why... But my own favourite poem on the subject of our mortality is a sonnet by John Donne. It is just as defiant in the face of death, but is suffused with the Christian hope of resurrection. So here's my posting in honour of National Poetry Day, and I post it partly in honour of my colleague Rev Wilfred Agnew, who, last night went to his reward after many years serving his Master in this sphere:

DEATH be not proud, though some have called thee
Mighty and dreadful, for, thou art not so,
For, those, whom thou think'st, thou dost overthrow,
Die not, poor death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and souls delivery.
Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell,
And poppy, or charms can make us sleep as well,
And better then thy stroke; why swell'st thou then;
One short sleep past, we wake eternally,
And death shall be no more; death, thou shalt die.


John Donne (1573-1631)








Comments

Popular posts from this blog

A Woman of no Distinction

Don't often post other people's stuff here... But I found this so powerful that I thought I should. It's a performance poem based on John 4: 4-30, and I have attached the original YouTube video below. A word for women, and men, everywhere... "to be known is to be loved, and to be loved is to be known." I am a woman of no distinction of little importance. I am a women of no reputation save that which is bad. You whisper as I pass by and cast judgmental glances, Though you don’t really take the time to look at me, Or even get to know me. For to be known is to be loved, And to be loved is to be known. Otherwise what’s the point in doing either one of them in the first place? I WANT TO BE KNOWN. I want someone to look at my face And not just see two eyes, a nose, a mouth and two ears; But to see all that I am, and could be all my hopes, loves and fears. But that’s too much to hope for, to wish for, or pray for So I don’t, not anymore. Now I keep to myself And by that

Psalm for Harvest Sunday

A short responsive psalm for us as a call to worship on Harvest Thanksgiving Sunday, and given that it was pouring with rain as I headed into church this morning the first line is an important remembrance that the rain we moan about is an important component of the fruitfulness of the land we live in: You tend the land and water it And the earth produces its abundance. You crown each year with your bounty, and our storehouses overflow with your goodness. The mountain meadows are covered with flocks and the valleys are filled with corn; Your people celebrate your boundless grace They shout for joy and sing. from Psalm 65

Anointed

There has been a lot of chatter on social media among some of my colleagues and others about the liturgical and socio-political niceties of Saturday's coronation and attendant festivities, especially the shielding of the anointing with the pictured spoon - the oldest and perhaps strangest of the coronation artefacts. Personally I thought that was at least an improvement on the cloth of gold canopy used in the previous coronation, but (pointless) debates are raging as to whether this is an ancient practice or was simply introduced in the previous service to shield the Queen from the TV cameras, not for purposes of sacredness, but understandable coyness, if she actually had to bare her breast bone in puritan 1950s Britain. But as any church leader knows, anything performed twice in a church becomes a tradition. All this goes to show that I did actually watch it, while doing other things - the whole shooting match from the pre-service concert with yer wumman in that lemon-